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Published by Mason Oldridge, 31 July 2023 CONTAINS SPOILERS! Margot Robbie and Ryan Gosling lead a star-studded cast in this summer’s blockbuster, breaking box office records as one half of the Barbenheimer phenomenon. The plot sees Barbie and Ken leave Barbieland to visit the real world in order to help Barbie with her recent existential crisis. Upon Ken’s discovery of patriarchy, he turns Barbieland into one, leaving Barbie and her real world companions to team up with the other Barbies to reclaim their world. The film is undeniably entertaining with excellent casting. Robbie is a perfect choice for the titular character and Ryan Gosling steals the show with his hilarious portrayal of Ken, particularly in the early scenes such as when Barbie rejects him and his failed attempt to surf. Will Ferrell is an unexpected but brilliant choice for the CEO of Mattel and Michael Cera is great with his trademark extrovert character as Allan. The set design of Barbieland is top notch, there are some great musical numbers, with Gosling’s performance of I’m Just Ken being the standout, and there is some genius comedy, notably the limitations of the dolls and Ken’s role of Beach as well as poking fun at the brand’s shortcomings such as the lack of purpose of Allan. Other funny moments include when Ken believes he can obtain a job simply due to being male and the Ken dance scene. Surprisingly, the blockbuster has generated controversy, though it soon becomes apparent why. The film’s portrayal of the real world as a patriarchy is an outdated and unrealistic representation of today’s society. Mattel’s male-only executive board is ridiculous as no organisation today would have no female representation at senior level. At least in Barbieland, the characters recognise and acknowledge the gender imbalance they are inhabiting and rectify this, though this is not repeated in the real world as expected. Furthermore, Gloria’s speech may be empowering, but preaching about female expectations in society to today’s audience feels too late as if calling for a female revolution that has already happened and pushes feminist ideology too strongly. While the film deserves praise for appealing to an older audience, it is too philosophical given it uses a children's doll brand as a vehicle to convey its message. Its themes of self-worth and body confidence sees the film adopt a darker tone than expected, contrasting the pink aesthetic, and the ending in which Barbie becomes a real person ruins the consistency of how the two worlds differ. Overall, the film excels in characters, set design and comedy, though its themes feel forced to align with wokeism which casts a disappointing shadow over the end product. 7/10

Published by Mason Oldridge, 16 January 2024 CONTAINS SPOILERS! Harlan Coben’s latest Netflix adaptation has arrived, back in the UK with returning regular Richard Armitage and newcomer Michelle Keegan. The plot sees widowed ex-Army officer Maya Stone investigate the murder of her husband Joe (of the wealthy Burkett family) after she witnesses him on the nanny cam and the possible connection to the murder of her sister before. As the series progresses, we learn that the Burkett pharmaceuticals business is corrupt. In the final episode, it is revealed that Maya killed Joe after she found out he murdered her sister when she started investigating the corruption of the business. She then proceeds to expose the family at the expense of her life. This twisty thriller maintains the quality of Coben’s previous series, though more questions arise before any answers. However, the answers don’t disappoint. The reveal that Kierce’s illness has been caused by the Burkett’s medication and that his sponsor is actually a hallucination of his dead former partner is almost as shocking as the main twist. Keegan portrays the headstrong Maya well, while Joanna Lumley masters the manipulative Judith. The hilarious pairing of Detective Kierce with younger detective Marty provides the light-hearted comic relief as well as some sweet moments as Marty cares about Kierce’s condition and Kierce begins to accept his kind-hearted nature. So far, Netflix’s deal with Harlan Coben is proving to offer up strong content for the streaming giant. Here’s to his future adaptations! 8/10

Published by Mason Oldridge, 25 September 2023 CONTAINS SPOILERS! There is mystery galore in Harlan Coben’s latest adaptation. Coben has a strong catalogue of novels that have been turned into successful series now, though Shelter is the first young adult novel to be adapted, as well as being the first American series. The first in the Mickey Bolitar trilogy, Shelter follows the protagonist as he moves back to his hometown to live with his aunt following his father’s death. Along with his newfound friends, he investigates the disappearance of fellow new student Ashley, alongside the historic missing persons case of his dad’s childhood friend and the truth surrounding his father’s death when creepy neighbour Bat Lady tells him his father is still alive. The mystery is continuously enthralling as the rate of which information is revealed is well balanced, answering questions along the way that keeps the overarching story encapsulating the whole way through. The penultimate episode in which Ashley is rescued is absolutely gripping throughout and the series clings to tension up to the closing moment in the finale when Mickey’s father is discovered. Also, the chemistry between the main students keeps the series entertaining; seeing extroverts Spoon and Ema come out of their shells and develop more confidence is heartwarming, notably when Ema helps Spoon with his theatre audition, and Rachel’s cheerleading routine outshining the poor basketball performance is particularly empowering. Other elements of the series felt somewhat pointless though, such as the relationship between Shira and Hannah and Ema’s relationship with Whitney as they provide no relevance to the main story and neither are fully resolved by the end of the series. Despite this, the mix of high intensity mystery and touching emotional scenes earns this series a high rank among Coben’s several adaptations. 8/10

Published by Mason Oldridge, 24 April 2023 CONTAINS SPOILERS! Netflix’s steamy new thriller may be short in run time but is nonetheless gripping and tense. Obsession sees William, an esteemed surgeon, begin an extramarital affair with his son Jay’s new girlfriend and later fiance Anna. We learn Anna is emotionally damaged from a childhood experience and enjoys the thrill of it all while William becomes somewhat infatuated with her as the only explanation as to why he would jeopardise his happy family life. The risk ends in tragedy as Jay, upon discovering the two having sex in the secret flat, stumbles and falls over the bannister to his death. The dramatic plot is enthralling and thrilling constantly throughout, with how it all ends being unpredictable to the last minute. Notable scenes aside from the main twist include the infamous pillow scene in Paris and the final meeting of the two in which William expresses no regret and that he wouldn’t change things, both serving the purpose of highlighting truly how obsessed and seemingly addicted he had become. The leads both deserve praise for their performances as Richard Armitage delicately portrays remorseless shame in the final episode and Charlie Murphy is perfect as the seductive temptress. While it could be argued that this remake of the 1991 novel was unnecessary given the 1992 film adaptation, this version no doubt is a 21st century retelling with a stronger sense of drama and suspense. This miniseries is short enough to be watched in one sitting and is gripping enough for viewers to do just that. 8/10

Published by Mason Oldridge, 31 December 2023 TV: Never Have I Ever- Season 4 Film: Barbie Artist: Måneskin Song: Olivia Rodrigo- Vampire Album: Måneskin- Rush!

Published by Mason Oldridge, 18 December 2023 CONTAINS SPOILERS! Netflix’s new Christmas film comes in the form of a body-swapping comedy. The plot sees the Walker family involuntarily switch bodies after an incident at an observatory; mother with daughter, father with son and baby with dog. This unsurprisingly happens shortly after they wished they could experience what each other’s lives are like and coincidentally occurs when each person has some really important event going on. From very early on in the film, it is overwhelmingly apparent how unoriginal the story is, following a stereotypical story arc any viewer could foresee. Considering the film stars established actress Jennifer Garner, comedy regular Ed Helms and rising star Emma Myers (Enid from Wednesday), and is directed by McG, the genius behind The Babysitter, it is all the more disappointing to see the film rely on cheesy comedy and childish gags. Furthermore, the Christmas setting serves no purpose other than using it as an additional selling point to market the film. It is completely irrelevant to the plot and sees several unrealistic occurrences for Christmas morning such as the email from Yale and the football coach visiting in person. On the whole, the film is easy-watching and suitable for casual viewing, though this Netflix Original turned out to be anything but. 5/10

Published by Mason Oldridge, 11 December 2023 CONTAINS SPOILERS! Following on from the All-Stars spin-off in the spring, Ant & Dec are back to Australia for another year of the main series of the survival reality show. After last year’s decision to include a controversial right-wing politician (Matt Hancock), this was replicated again, this time with the charismatic Brexit pioneer Nigel Farage. Reportedly the highest paid contestant ever, it could be believed that he would be the talk of the jungle this year. However, it soon became apparent that someone else would become the one to dominate the series: internet personality Nella Rose. The campmates were still adjusting to camp life when the first conflict arose. First Dates star Fred Sirieux innocently told Nella he was old enough to be her father to which she bewilderingly took offence due to her deceased parents, rejecting his apology as insincere and opting to avoid contact with him moving forward. This began the online backlash against her, even seeing #PoorFred trending that night. Furthermore, she started a confrontational argument with Nigel on the topic of immigration and assigned Fred to washing up after his criticism of her washing efforts out of sheer pettiness. All of this was in addition to inhabiting a lazy lifestyle and an antagonistic attitude as opposed to the teamworking approach of the rest. She was eliminated second. The other talking point of the series was the cooking conflict between Fred and This Morning team member Josie. The maître d' was the natural choice of chef due to his background but when the roles were reassigned and Josie became the new camp cook, Fred struggled to sit back and not intervene, consistently commenting and watching over her, making her uncomfortable. Other notable moments include Nigel’s incredible performances in the eating, drinking and snake coffin trials he faced, the development of actress and singer Jamie Lynn Spears from struggling emotionally to proving herself worthy in a suspended-in-the-air trial, and the blossoming bromance between the top two finalists reality star Sam Thompson and boxer Tony Bellow. Tony was likely popular due to his dry wit and sarcastic outbursts whereas Sam was the life and soul of the camp. The excitable manchild was living out his childhood dream appearing on the show and went on to be crowned King of the Jungle. Despite the format staying the same, camp conflict, interesting conversations and hilarious moments made for another good year. 9/10

Published by Mason Oldridge, 5 December 2023 Canadian pop superstar Tate McRae follows up last year’s debut with her sophomore LP Think Later. The album features some incredibly catchy pop songs, often matched with heavy sounds and trap beats. The record opens strong with Cut My Hair, followed by a balanced variety throughout. Singles Greedy and Exes are short and sweet with a high likelihood of becoming earworms, Grave strips back the music to place McRae’s talented vocals at the forefront whereas Stay Done mixes up the instrumentation to feature acoustic guitar. We’re Not Alike is one of the best as a song of betrayal with vocals ascending the scale on the chorus, though Messier is the true highlight; set to an immense drum beat, this track features heartwrenching lyrics with McRae’s vocals matching the raw emotion. Furthermore, Calgary is a nice nod to McRae’s stunning home city while Plastic Palm Trees closes the album nicely. Launching with a risque album cover, McRae is building a strong public image for herself, armed with confidence plus likability. With OneRepublic’s Ryan Tedder at the helm as lead producer, production is as strong as the talent McRae exudes. This is empowering 21st century female pop at its best. 9/10

Published by Mason Oldridge, 30 November 2023 The Killers celebrate 20 years with 20 songs spanning their entire discography, with the artwork a nice nod to their Vegas origins. The compilation opens with tracks from their debut album Hot Fuss, one of the best alternative rock albums of all time, including the era-defining Mr Brightside. Fan-favourite Jenny Was a Friend of Mine makes the cut despite not being a single but unfortunately Smile Like You Mean It is omitted. What follows is highlights from Sam’s Town, Day & Age, Battle Born, Imploding the Mirage and Pressure Machine, including hit single When You Were Young, dance track Human, timeless The Man and a retrospective on Flowers’ childhood Quiet Town. Some singles such as Bones are left out in place of emotive ballad Be Still, providing variety. The album closes with a trio of new songs, bursting with new energy and infused with synth reminiscent of their Hot Fuss era. These are reportedly from the band’s scrapped new album so luckily these gems have been able to find a home on this greatest hits compilation. The Killers are one of the greatest bands ever and, although some songs are better than others, this roundup showcases their unique sound and talent. 9/10

Published by Mason Oldridge, 23 October 2023 New wavers Duran Duran introduce their Halloween-themed album after their 31st October gig in Las Vegas last year. The concept album contains a mix of new songs, covers and reimaginings of past songs, maintaining a cohesive sound throughout. Their efforts for a fun record can be heard and the spooky theme is identifiable too, with some eerie sounds akin to their sinister sounding 1993 hit Come Undone. Some tracks carry strong energy such as the title track and the unexpected cover of Billie Eilish’s Bury a Friend. Le Bon’s vocals might not suit this 21st century hit but it is elevated by the heavier instrumentation that keeps it fresh. Other features feel more dated however; guest guitarist Nile Rogers brings his Motown-inspired funk and soul feel to Black Moonlight, leaving the single feeling more like it belongs in the 70s with its unoriginal lyrics, whereas their mashup between an old non-single and the Rick James hit song Super Freak is a chaotic pairing with an unnatural transformation. Overall, the new album is messy and a bit too stale for a place in today’s musical landscape. 4/10

Published by Mason Oldridge, 18 October 2023 CONTAINS SPOILERS! The crime-busting trio are back for a third investigation in Hulu’s comedy murder mystery. Picking up from last season’s ending in which the leading man in Oliver’s play, Ben Glenroy, collapses on stage during opening night, the third season focuses on Oliver attempting to rebuild his play while Mabel, feeling abandoned by her co-hosts, undertakes a solo investigation into Ben’s death. The opening episode sets the season in good stead; flashbacks to the first table read reveal that Ben made quite a few enemies with his fellow cast, including Loretta, a new character serving as Oliver’s love interest, portrayed by high-profile guest star Meryl Streep. Back in the present, the cast attend Oliver’s afterparty at The Arconia, where they are stunned to see Ben reappear, a brilliantly unexpected plot twist as Ben did not actually die on stage and announces it was just food poisoning. As Charles, Oliver and Mabel are in the elevator, Charles tells Mabel that they couldn’t have done a podcast anyway as Ben’s murder didn’t take place in the building, before Ben’s bloodied body falls through the roof. The USP of this show is the chemistry between the unlikely friends and the joyous way they bounce off each other so effortlessly. Furthermore, a particular strength of the show is how they are bound together by murder investigations they enjoy solving and the restriction to within the building. Therefore, it is a great shame that this season is dominated by the preparation of Oliver’s play and that most of the investigation is conducted by Mabel without the others. Despite this putting a dampener on the majority of the season, it is rescued when the threesome reunite to solve the mystery following Loretta’s false arrest. Never having held back on casting, this season is no different. Comedy legend Paul Rudd is perfect as arrogant superstar Glenroy whereas Matthew Broderick’s appearance as a fictionalised version of himself who takes method acting to the extreme is hilarious. The ending doesn’t disappoint as it is revealed Donna poisoned Ben to prevent him ruining the show, and consequently her son Cliff’s debut, after reading an early review criticising Ben’s performance. She further admits to pushing him down the elevator shaft before the last minute twist that it was actually Cliff who pushed him after Ben threatened to expose Donna for the poisoning. In the final scenes, the gang are celebrating the success of the play and as Charles’ stunt double Sazz retreats to his apartment, she is shot through the window, creating a murder plot for the already-commissioned fourth season. Despite the lack of investigation with our three heroes, you can’t help but enjoy another outing with these guys amidst a gripping investigation with a satisfying resolution. 7/10

Published by Mason Oldridge, 30 September 2023 CONTAINS SPOILERS! One of Netflix’s biggest shows is back for its fourth and final run. The season introduces us to the new Cavendish College following the closure of Moordale, along with new students: trans couple Abbi and Roman and their deaf friend Aisha, a friendship group dubbed the Coven. The new college is extraordinarily liberal, with everyone being inclusive, environmentally-friendly and polite, with the Coven even having a gossip jar. It feels like this groundbreaking series that highlighted issues surrounding sexual liberation and body positivity has now conformed to being as woke as possible. As the final season, the main priority is to provide closure to the storylines of the existing characters. At the forefront of this is the love triangle between Otis, Maeve and Ruby. Otis and Meave are in a long-distance relationship with Maeve studying in the US while Ruby still has feelings for Otis. Despite being the focal storyline, the series concludes with Otis and Maeve broken up due to Maeve studying abroad. This seems ridiculous as the whole story arc focused on the duo developing a relationship, which now doesn’t come to fruition even though Maeve could simply study and be just as successful locally. Furthermore, Ruby’s feelings aren’t resolved either and, despite finding her new self, doesn’t get what she deserved. Another storyline left somewhat unresolved is Cal’s body dysmorphia, despite the fundraiser in aid of top surgery. However, many storylines did get a worthy resolution such as Otis’ competition for sex therapist against O, Jean’s postnatal depression and her sister’s acceptance of childhood abuse, Eric’s conflict with his church and subsequently Otis, Aimee’s blossoming relationship with Isaac, her artwork and moving on from her past assault, Adam’s turbulent relationship with his father, Jackson’s cancer scare leading to the truth surrounding his biological father and Viv’s relationship with her new coercive controlling boyfriend. Counteracting any shortcomings are some notably beautiful moments. The standout of the season is the funeral episode. There are high emotions as the community attend to support Maeve with both touching moments such as Mr Hendrick’s rendition of With or Without You and hilarious moments such as the lads backing up over Colin’s foot while struggling to manoeuvre the coffin. Additionally, it is particularly joyous to see Adam grow in his new role working with horses and find both comfort with his dad and new hope with his co-worker. Despite the forced wokeism casting a dark cloud over the season, for the most part the season wraps up the journey rather satisfactory for a series that is simply revolutionary in changing attitudes towards sex, love and relationships. 6/10

Published by Mason Oldridge, 29 September 2023 After last year’s country-infused album Cowboy Tears, Oliver Tree returns to his hip-hop inspired pop sound with his third album. Alone in a Crowd is somewhat genre-bending, incorporating hip-hop, electronic, acoustic guitar and piano in the mix, making for a record of refreshing production. The album opens with the lead singles which are some of the most catchy, including the highlight One & Only thanks to its trumpet-based hook. Tree tries his hand at rapping too, over a trap beat on Fairweather Friends, over an ambient beat on Smile and over what can only be described as sounding like a whistling bird on Ugly Side. Furthermore, there are some strong electronic songs in Strangers and Elevator to the Sky as well as dreamy tracks such as Invisible Man and With You. The collection closes on the dance banger Miss You, a dance remix by Robin Schulz of a non-single from Tree’s debut album. Tree’s eccentric persona might split opinion, though he is undeniably unique, which shines through in his music too, resulting in a particularly varied discography. In conclusion, Alone in a Crowd contains some of Tree’s best work and deserves more exposure and radio airplay than given. 7/10

Published by Mason Oldridge, 26 September 2023 Jorja Smith is back with her follow up album - adopting a lounge feel with jazz and R&B influences. Smith proves she has talent in her voice, but rather than utilise it, her sublime and calming tones take a backseat to more pronounced whiny vocals. Therefore, the instrumentation is the best element of the record, with some interesting sounds heard throughout. Little Things is incredibly repetitive, Feelings suffers due to J Hus’ abysmal vocals on the chorus and dreadful rapping, the skits serve no purpose and Try and Fit In is over before it starts. Furthermore, the remainder of the tracks are all too similar to tell them apart and so Go Go Go is easily the standout, due to being the best of a bad bunch. The single trades in jazz for an acoustic guitar set to a catchy beat, making for a decent track. Not all hope is lost as Smith still offers a glimmer of potential, but here on her sophomore album, it does not break through. 2/10

Published by Mason Oldridge, 8 September 2023 Pop superstar Olivia Rodrigo is back with her follow-up album, two years after her debut which shot her to international recognition. Like her predecessor, Rodrigo delicately balances piano ballads and angry rock songs while mastering the vocals on both halves. Additionally, the tracklist is full of unique and clever lyrics and excellent instrumental production, aligning perfectly to the themes of heartbreak and anger felt throughout the record. GUTS details Rodrigo’s whirlwind final year as a teen and is named after the idioms of “spill your guts, hate your guts”. Opening track All-American Bitch incorporates punk rock, drawing heavy comparison to the skater boy days of Avril Lavigne while Bad Idea Right? chronicles giving in to temptation with a toxic ex. Lead single Vampire is easily the standout of the album; this piano ballad demonstrates what a perfect song sounds like and is nothing short of a 21st century masterpiece. Lacy is a beautiful dreamy song about idolisation, Ballad of a Homeschooled Girl is (confusingly) an epic pop rock song about lacking social confidence, Logical contains some of the most innovative lyrics, Get Him Back! is a super catchy pop song, Pretty Isn’t Pretty tackles self-worth and Teenage Dream provides an angelic closer to the album. Rodrigo is an absolute megastar with unmatching talent, she is like a new age Taylor Swift yet with more individualism. Matching the emotional depth of Sour, GUTS is simply a perfect album. 10/10

Published by Mason Oldridge, 13 September 2023 CONTAINS SPOILERS! The vacation friends are back in this sequel to the Hulu original for more madness and mayhem. The film opens with Marcus and Emily reuniting with Ron and Kyla for a trip to the Caribbean, along with Maurillio to look after baby Marcus. The exotic holiday is dominated by Marcus’ business meeting and the arrival of Kyla’s criminal father, played by Steve Buscemi, with both of these driving the plot. Once again, it is John Cena who leads the comedy in the movie, which is similar in tone to the first, though perhaps has less funny moments. While it is nice to see the two couples getting along, it may be the comedy stemming from Marcus’ frustration at Ron that this sequel is missing. Furthermore, Buscemi’s character only introduces a villain to the story without providing even a smirk. However, Maurillio’s increased role offers up some laughs as he ends up babysitting another child after mistaking the encounter for a date. All in all, this comedy sequel is easy watching but nothing hilarious, much like its predecessor. 5/10

Published by Mason Oldridge, 11 September 2023 The Leto brothers are back, this time on their own, with their new studio album. Lyrically, the album is quite pessimistic and more in line with the first half of the juxtaposing title, though musically it is more upbeat and draws comparison to Post Malone and Glass Animals. The record opens with lead single Stuck, which is easily the standout. An absolute earworm, the hit song, which went off at Radio 1’s Big Weekend earlier this year, is based on an addictive bassline and post-chorus onomatopoeia that you can’t help but chant along to. Unfortunately, the same can’t be said for the rest of the album. While not necessarily bad in any terms, the songs are rather simplistic and typical of that which fades into the background of radio airplay, not to be remembered. It is refreshing to hear electronic influences on the collection though nothing constitutes a second listen. Thirty Seconds to Mars prove their potential, then fail to live up to it. The talent is there but not exercised. Perhaps Jared is best sticking to acting? 5/10

Published by Mason Oldridge, 2 September 2023 Superstar DJs The Chemical Brothers are back with another collection of those block rockin’ beats on their tenth album. The intro, a remix of the titular closing track, ropes you in with distorted vocals repeating over a pulsating dance beat. Lead single No Reason is the standout of the album, as the marching band drums collide with slick bass and the brothers’ trademark sounds to make for a recognisable centrepiece. Furthermore, Feels Like I Am Dreaming is one of the better tracks too thanks to its gripping sample, heavier beat and sinister bridge. Unfortunately, a fair few are a bit too similar to each other to stand out on their own. Musically, the album continues the duo’s latest era, with more instrumental and sample led songs similar to their previous release, in contrast to the more lyrically structured Born in the Echoes and We Are the Night. Despite this, no song reaches the heights of predecessor No Geography, which affirmatively confirmed the brothers’ continuing strength in music production. In conclusion, Rowlands and Simons demonstrate confidence in sticking with their traditional sound rather than conforming to the ever-changing dance music landscape, proving their staying talent in the process. 7/10

Published by Mason Oldridge, 25 August 2023 Royal Blood go back to the water below for their fourth album, following their controversial appearance at Radio 1’s Big Weekend earlier this year. The album opens with a burst of explosive energy on opening track and lead single Mountains at Midnight, whereas the acoustic guitar and falsetto lyrics on Pull Me Through marks a change in their trademark sound, making it a surprising choice for the second single, still it doesn’t disappoint. The Firing Line carries a sense of impending doom on the verses that culminates in sorrow rather than danger on the chorus, Tell Me When It’s Too Late is arguably the heaviest on the album and There Goes My Cool gives off 70s vibes almost reminiscent of David Bowie. Waves is a nice reduction in pace, incorporating piano into the instrumental lineup to make for an impressive closer to the record. There is some variation between tracks, though perhaps not spaced out the best, leaving the middle of the tracklist feeling somewhat saturated, with some tracks likely underappreciated. Overall, the duo present a decent handful of their usual heavier tracks while demonstrating talent on the calmer tracks too. 7/10

Published by Mason Oldridge, 18 July 2023 CONTAINS SPOILERS! Netflix’s new Adam Sandler-produced action comedy is nothing special but makes for an easy watch if looking for a quick film to stream. Engaged bank manager Owen is excited to meet his future parent-in-laws prior to his upcoming wedding, though following a robbery at his bank, he suspects them to be the culprits of the crime. His fiancé's parents turn out to be infamous bank robbers in debt to a mobster, however, when his fiancé is kidnapped and held ransom for $5m by the mobster, he must work with his in-laws to rob a bank to rescue her. The plot doesn’t feel original and appears to follow an overused movie trope. Additionally, a lot of the comedy in the film is more silly than actually funny. Despite this, there are occasional moments to make you laugh such as the employee locked in the vault during the robbery and there is some warmth when the Ghost Bandits turn themselves in to protect Owen. Furthermore, Pierce Brosnan is perfect casting for the role of Billy McDermott. Overall, the film is quite basic and doesn’t excel in action or comedy, though isn’t necessarily bad as an easy watching flick. 5/10

Published by Mason Oldridge, 10 July 2023 CONTAINS SPOILERS! Netflix’s new psychological horror film may have people talking, but not always in a positive way. The Australian movie sees mother Sarah become increasingly worried about her 7-year-old daughter Mia’s troubling behaviour following their adoption of a stray rabbit. Mia begins claiming to be Alice and her strange acting becomes clear when it is revealed Alice was Sarah’s younger sister who went missing when she was the same age. Upon hallucinating, Sarah accidentally hurts Mia and it is finally revealed that Sarah pushed Alice off a cliff to her death following a fight and hid the truth. By the ending, we are left wondering how much was Mia actually possessed and how much was in Sarah’s mind. The plot is decent but told in a boring way. For the most part, we are in the dark about why Mia is acting strange and it is frustrating rather than intriguing not knowing why. Therefore, it is more a relief as opposed to a shock to discover the truth. Furthermore, aside from the occurrences when Mia unnervingly appears in doorways, it is not scary. There is an unsettling atmosphere throughout but nothing explicitly horrifying. Also, the rabbit serves little to no purpose to the plot. It is unclear whether the rabbit acts as a motif to represent something such as bringing about the soul of Alice and, given the film’s title and the rabbit’s regular appearances, we spend the film waiting to discover the rabbit’s relation to the story or expect something bad will happen involving it. Run Rabbit Run has a worthy plot to run with, though tells the story in an uninspiring manner to which viewers are likely to disengage before the first revelation. 4/10

Published by Mason Oldridge, 4 July 2023 Alternative rock band Nothing But Thieves are back with their new studio album, this time incorporating dance and electronic music. The album opens with lead single Welcome to the DCC, a dance banger that introduces us to the fictional city that represents this new era. Their traditional sound is more embedded in the other singles that follow, though it is upon reaching the other album tracks around the middle of the tracklist where a more electronic sound can be heard. City Haunts showcases Mason’s well known falsetto, Green Eyes :: Siena is a slow and sweet love song and Foreign Language touches upon synth. However, it is closing track Pop The Balloon which is easily the standout. With heavy bass and distorted vocals, this is truly a return to form reminiscent of the heavy rock sounds from the previous Moral Panic era. Its apocalyptic lyrics and obscure sounds create a sense of impending doom and the dreamy calm-before-the-storm bridge is a tense build up to the explosive ending. Dead Club City has a nice concept feel to it and contains songs some good, some forgettable and a couple epic. 7/10

Published by Mason Oldridge, 21 June 2023 CONTAINS SPOILERS! After a four year break due to real life becoming too much like an episode thanks to the coronavirus pandemic, Charlie Brooker brings us 5 new instalments of the chilling anthology series. The new season kicks off with Joan Is Awful, which feels like a typical episode. The titular character finds her life has been adapted into a series on a streaming service in almost real-time and is an intense warning over the way AI such as ChatGPT (which was actually released after production) is going and what it could grow to become, as well as a stark message to read the terms and conditions. Loch Henry incorporates horror with a twist that doesn’t disappoint. The episode, set in Scotland, is tense throughout as viewers can nervously await the response to the revelation. Beyond the Sea is set in space and, while the premise and featured tech offers an interesting concept, the slow pace across the lengthy runtime ultimately isn’t justified. Mazey Day challenges the morality of paparazzi as a group descend on a reclusive and troubled celebrity in the Czech Republic. The supernatural twist is an unforeseen one and makes for a dramatic yet tragic ending. However, the standout episode is Demon 79. Released under the Red Mirror label due to its non-technological focus, this instalment still inhabits the characteristics of a typical episode: an unnatural situation featuring unnerving characters with a continuously unpredictable conclusion. The chosen form of the demon is hilarious and makes the bizarre scenario all the more gripping. The apocalyptic ending is cinematic though it is the chemistry between the two characters that earns the praise the most. With more atmospheric scenes, shocking twists and disturbing acts, Brooker has successfully added some strong episodes to an already impressive collection. 7/10

Published by Mason Oldridge, 15 June 2023 CONTAINS SPOILERS! The supernatural drama is back for its final set of episodes as we head towards the death date. The series takes a dystopian turn as the passengers are now detained in the detention centre, bar the few that have avoided capture and are in hiding, seeing the government prioritise fear over morality. Apocalyptic signs arrive as a sedated Captain Daly inflicts plagues upon the detention centre and the group face one final push at saving the lifeboat, with Cal desperately solving everyone’s callings, while Angelina and her ‘flock’ prepare for the end of this world, believing them to be the selected few to enter the new world. The end certainly feels nigh with these latest developments, but with several episodes covering the build up, viewers are likely to be left impatient for the death date to arrive. That said, the finale is nonetheless thrilling. After Cal sacrifices himself to create the sapphire beacon, the entire set of passengers arrive at the camp, including Angelina’s clan, who attempt to derail proceedings. The original plane emerges from the lava and everyone boards. There are some truly epic scenes as everyone faces their judgement, with 11 of them, including Angelina, burning before turning to ash. Eegan’s redemption arc is a heartwarming one as he offers to sacrifice himself for Adrian, resulting in them both surviving. The plane then flies into the glow in which they are returned to 2013 along with those that died along the way, including Cal, who gets to live his childhood from age 11. It may be justice, but only the passengers have memory of the 5 years, meaning Mick has to meet Zeke again and TJ can’t be with Olive because of their age gap. Manifest goes all out on its final batch, turning up the drama and ultimately delivering a worthy conclusion that the creators had to fight to bring to its fans. 9/10

Published by Mason Oldridge, 9 June 2023 German rock band Milky Chance are back, combining their traditional chilled sound with dance and electronic. The title track opens the album by incorporating dance music. Also the lead single, it sets the tone for the record as Clemens wishes of being “a disco boy”. Purple Tiger plays over a drum and bass beat with distorted falsetto vocals on the chorus to make it stand out, Synchronize is centred around a full on dance beat and Flicker in the Dark brings the tropical Caribbean vibes. Like a Clown is incredibly experimental, touching upon electronica and ambient, History of Yesterday is a sweet duet with both vocalists complimenting each other's voice beautifully, whereas Frequency of Love is an eerie closer that brings the album to a slow tempo end. In conclusion, Living In A Haze is the boys’ most varied work to date, incorporating an array of different genres like never before, while keeping their trademark dreamy sound at the helm and still utilising Clemens’ unique gravelly vocals. 7/10

Published by Mason Oldridge, 22 May 2023 CONTAINS SPOILERS! Ant & Dec head to the South African bush for the all-stars spin-off of I’m a Celebrity. The format was advertised as previous memorable campmates returning to battle it out for the title of the first ever I’m a Celebrity Legend. Also, this time it would be pre-recorded with the celebrities facing off against each other to avoid elimination as opposed to public vote. While the changes may sound interesting, it initially appears an unnecessary extra to cash in on the original’s popularity. However, the differing format proved to be a good idea as it meant the celebs triumphed based on skill rather than popularity (except the occasional popularity vote among them to keep things dramatic). Unfortunately, the live broadcast was missed knowing it was filmed back in Autumn. Memorable is a bit of a stretch when it comes to the selection of campmates, though it did feature some standout characters. The return of the dramatic Gillian McKeith was somewhat disappointing as she exited after just a few uneventful days, though Joe Swash and Dean Gaffney’s late arrival provided some comic relief and 2017 winner Toff was as strong and determined as ever. Fatima Whitbread appeared to think she was still in the arena as her competitive nature ruffled a few feathers in camp. She voiced her disapproval of those with contraband, complained about people not doing their jobs correctly and was argumentative in group challenges, making her a very unlikeable contestant to watch. Despite this, the rest of the camp got on relatively well. I originally believed that only past winners should be allowed; how can you become a legend without even being a winner? However, I was proved wrong as the winner was most deserving. A final eating trial with a sickening twist pitted the two finalists against each other in what was the most dramatic trial in the series’ history. Ant & Dec plus the other contestants watched in shock and horror as Myleene Klass ate excessive amounts of disgusting courses, outperforming Jordan Banjo to receive the Legend title and rightfully so. In conclusion, this spin-off turned out to be a deserving counterpart to the original as a great measurement of past contestants' strength and determination. 7/10

Published by Mason Oldridge, 15 April 2023 Keane members Tim Rice-Oxley and Jesse Quin’s country music side project is back with a third album, leaning much more towards their mellowed self-titled debut than their upbeat follow-up When The Night Calls. Rice-Oxley is nothing short of a musical genius. Despite composing a decade-long discography of perfection as Keane, he is also the mastermind who has recreated guitar sounds by playing keyboard through an amplifier and programmed bass on a laptop when the main band missed a guitarist. Therefore, it is all the more disappointing that his partnership with Quinn has produced a record that lacks wonder and excitement. Unfortunately, most tracks are too dreary to be memorable and are not distinguishable enough from each other. The emotion might be there in the lyrics but the music doesn't match it enough to convey it in a way it perhaps deserves. Some tracks are inevitably better than others. Too Hard A Stone encompasses jazz and features Rice-Oxley’s vulnerable vocals reminiscent of the old Keane demos whereas Wolfhouse is the highlight with a fun melody and haunting piano. Overall, the talent is there but sadly unfulfilled in what feels like wasted potential. 4/10

Published by Mason Oldridge, 28 March 2023 CONTAINS SPOILERS! Despite having been originally commissioned as a miniseries based on the Israeli original, the Showtime legal drama starring Bryan Cranston is back to tie up loose ends. Following the Season 1 finale in which an avenge-seeking Eugene attempts to shoot Carlo but misses and kills Adam instead, we see a grieving and dishevelled Michael in prison. We learn he confessed all following Adam’s death but his confession is buried by attorney Olivia in return for Michael’s assistance in bringing down the Baxter family. A second season was somewhat unnecessary, though it was satisfactory to see what happened next following the previous season’s events. This season ultimately outperformed the first with more compelling viewing, although it may have just seemed that way as we returned to already established characters. The season finale played out the intense courtroom action as Eugene was tried for murder. The standout moment was when Michael helps prove that the explosion at Eugene’s house couldn’t have been a gas leak as they hadn’t had gas for weeks, potentially implicating the Baxters. With Jimmy threatening to reveal Gina’s involvement, Gina manipulates Cormine into shooting him and is imprisoned. This long-awaited downfall of the Baxters arrives as Eugene is released into Witness Protection. Unfortunately, not everyone gets their deserved comeuppance or redemption. Carlo is never found guilty for Kofi’s murder and continues to run the family business with Gina, who also goes unpunished. Furthermore, the malicious ringleader of the Desire gang Big Mo continues to have free reign across the city. Fia, heartbroken at the deceit from both sides, puts baby Rocco up for adoption and leaves, an unrealistic fate given the love and care she had for him. This also means Michael, who has arguably suffered and lost the most, doesn’t get a happy ending with his grandchild. Instead, he returns to prison for his actions, albeit content with his fate. The fact that the series ends with Michael in prison and Carlo free highlights a vast imbalance, perhaps an intentional reflection on the real justice system, but the drama across the season plus the gas leak revelation and Jimmy’s shooting in the finale elevates the season greatly. 7/10

Published by Mason Oldridge, 21 March 2023 Fall Out Boy are back with a new album for the first time in 5 years after their mixed reviews predecessor. The album opens on lead single Love from the Other Side, a heavy burst of energy with apocalyptic lyrics and Stump’s incredible and instantly recognisable vocals, heard from the opening note. Unfortunately, not much variation is offered in the following tracks. Despite this, it doesn’t mean they are bad by any means, just a tad repetitive, and there are some that stand out from the rest. Heaven, Iowa is the standout track. This epic ballad grows from melodic vocals over a simplistic beat to an emotional outpour on the second chorus with lyrics alluding to Romeo & Juliet. I Am My Own Muse offers a beautiful uniqueness too thanks to its abrupt strings, which compliment the contrasting guitar and drums fantastically, whereas Hold Me Like a Grudge can be identified by its slick bass. The album closes on the title track, a compelling song with an intergalactic feel, built upon rolling piano reminiscent of Muse’s Origin of Symmetry. This album may not be remembered for centuries, but the few highlights make up for the lack of differentiation. 7/10

Published by Mason Oldridge, 15 March 2023 CONTAINS SPOILERS! The psychological thriller moves across the pond for the fourth season set in dreary London. Joe Goldberg begins life anew as Jonathan Moore, a university professor in the English capital after faking his own death. Despite embarking on a quiet life, he is soon roped into the social circle of his rich socialite neighbours as he becomes the target of threatening messages from the “Eat the Rich killer”. Unfortunately, most of the new characters are uncompelling which, matched with the dark setting, gives the season a less appealing tone. Part 1 focuses on him finding out who the killer is and, although intriguing as the killer knows Joe’s real identity, the role reversal in which Joe becomes the victim is somewhat disappointing as it is just not as thrilling. The mid-season finale reveals the killer is Rhys Montrose, the aspiring Mayor of London, in an explosive and exciting episode. The season doesn’t appear due to become anymore interesting as Part 2 is then set up for Joe to bring down Montrose. But then, Episode 7 comes. As Joe kills Rhys, we learn that Joe had never actually met Rhys, he just became obsessed with him when he learnt of his redemption, Joe killed all the victims and Rhys was just a figment of his imagination. Furthermore, Joe didn’t actually let Marienne go but he has had her locked in his infamous perspex cage the whole time with no recollection. This twist is the best in the series and ultimately saves the entire season. The season finale is action packed, particularly with the twist that Marienne survives. The ending appears anticlimactic with Joe and new girlfriend Kate starting a new life in New York having cleared Joe’s name, until the final moments when it is revealed he killed his student Nadia’s boyfriend and framed her for it after she discovered his past. Overall, the season may not be as consistently thrilling as the previous but the twists are the strongest yet, keeping the show strong and unpredictable. 7/10

Published by Mason Oldridge, 14 March 2023 There is dreamy synth aplenty as the French electronic outfit returns with their ninth studio album. Leader of the project Gonzalez abandons commerciality in favour of making music for himself, fusing guitar and synth to make for otherworldly shoegaze, produced by jamming sessions. Where there is no place for the tracks on contemporary radio, the music is perfect for a cinematic soundtrack with a solid ability to set or match the atmosphere of any particular scene. Sounds are not dissimilar to that of Tame Impala, with the more ambitious audio touching upon Aphex Twin. Furthermore, setting the vocals against a silky backdrop draws comparison to The 1975. Kool Nuit is the standout of the album, an almost 8-minute composition offering strings and haunting vocals before building up to create a feeling of impending doom. Unfortunately, there is not enough variation between the rest of the tracks to differentiate them from each other. In conclusion, M83 demonstrates incredible talent producing such layered pieces, though only works as soundtracking or backing music, leaving it unlikely to impress listeners. 5/10

Published by Mason Oldridge, 28 February 2023 Following on from a string of successful singles, pop star Mimi Webb releases her debut album Amelia. Webb said she wanted to display the two sides of her: Mimi the performer on stage and Amelia the country girl in her home life. The LP is full of catchy and enjoyable pop songs, and although Webb’s vocal style is similar to that of Tate McRae, she displays enough talent to hold her own. Unfortunately, the similarities between tracks sees the collection become somewhat saturated in the same sound, though this helps outline the more stripped back songs such as Roles Reversed. Last Train to London is definitely the standout of the album. With heart-wrenching piano and emotional lyrics, Webb’s incredible and powerful vocals are highlighted and bound to stun audiences to mesmerised silence. Is It Possible is also a nice change in sound, incorporating strings, drums and guitar. The titular track plays the album out nicely as Webb talks to her younger self over an acoustic guitar. Overall, Amelia is a strong debut with a nice yet a tad uneven blend of energetic pop and slower songs that emphasise Webb’s existing talent and growing potential. 7/10

Published by Mason Oldridge, 30 January 2023 CONTAINS SPOILERS! The complex mother-daughter relationship takes a darker turn in the second season of the Netflix drama. Following on from the Season 1 finale in which Ginny discovered her mother poisoned Kenny, she and Austin are living with Zion. Consequently, this takes a toll on Ginny’s mental health too as she continues to self-harm and suffers a panic attack. There’s a glimpse of hope as she enters therapy but upon forgiving her mother after learning it was to protect her, her stress turns to guilt as she feels responsible. Ginny is noticeably far more distressed in this season and, along with the deeper exploration into Marcus’ depression and the couple’s subsequent breakup, the tone shift creates a much darker atmosphere, which could go unappreciated due to some difficult to watch scenes. However, the coming-of-age element with the teens continues to provide some much needed comic relief. Despite taking several episodes for MANG to make up, there are many enjoyable scenes, particularly revolving around the Wellington play in which Max and Silver grow close, as do the leads Bracia and Bryon. There are also touching scenes as Max’s father builds her confidence regarding her role as the witch and Max supports a struggling Marcus. The race subplot feels somewhat shoehorned as it is kept minimal and driven by insensitivity rather than outright racism and Ginny’s impulsive rebellion seems an inequivalent response. The show delicately handles its subject matter on mental health, leaving the race element appearing to be an unnecessary additional burden on Ginny in an attempt for the show to earn more brownie points for being woke. Nevertheless, the season steps up in terms of drama; Austin shoots Gil to save Georgia and, in the finale, at her wedding to Paul, Georgia is arrested for the murder of Cynthia’s husband. Ultimately, the season fully delivers on a thrilling and suspenseful continuation of the overarching story. 7/10

Published by Mason Oldridge, 27 January 2023 After years as a featuring artist and making a name for herself, the London singer-songwriter reaches the milestone of her debut album chronicling her 21st century experiences. Raye incorporates a multitude of genres on this release. There’s a prominent R&B influence on the record, heard on the likes of Hard Out Here and Flip A Switch, as well as jazz on The Thrill is Gone, gospel on Buss it Down and drum’n’bass on Environmental Anxiety, which has what can only be described as Crazy Frog sounds throughout. Black Mascara is an epic dance track sounding like a CamelPhat production and most successful single Escapism tells of post-breakup debauchery over a trip hop beat. The most honest tracks are the standouts; Ice Cream Man is about being a strong woman against unwanted and inappropriate male attention and Body Dysmorphia features cutting lyrics on the titular condition. Unfortunately, these few gems are embedded among several unmemorable tracks that will likely fade as background noise. Despite this, this shouldn’t take away any merit from the songs that demonstrate talent and potential from this up and coming musical artist with her own uniqueness about her. 5/10

Published by Mason Oldridge, 13 January 2023 Italian rock band Måneskin release their third studio album amidst their Loud Kids Tour, following on from their international success after winning Eurovision 2021. David represents the voice of Gen Z with topics on sex and debauchery, as well as infatuation- heard on single Supermodel, loss- on the incredible closing ballad The Loneliest and war- on the track Gasoline, supporting Ukraine following Russia’s invasion. The quartet also bring new experimentation as promised with the new release, such as vocal distortion on opening track Own My Mind, which sets the energy for the rest of the album, sarcastic hatred on Bla Bla Bla and punk vocals on Kool Kids. We are also treated to three new Italian-language songs. Arguably the most romantic language in the world, these highlight David’s gravely vocals and incredibly skilled voice control. Not only does Damiano David have the charm and charisma of an excellent frontman but he is the best vocalist of a generation. With too many amazing songs to single any out, I don’t know what needs to be released this year for this to not be the best album of 2023. 10/10

Published by Mason Oldridge, 12 January 2023 CONTAINS SPOILERS! Business and romance continue to outline Emily’s life in Paris as the third season is released on Netflix over the festive period. Season 3 picks up where the previous left off with Emily torn between continuing to work for Madeline or jumping ship to Sylvie’s new company following the French team’s revolt against the acquisition. The dilemma is finally resolved when Emily joins them permanently and the chemistry between the marketing colleagues continues to create an enjoyable to watch environment. Furthermore, Luc continues to provide a hilarious comedy aspect to the series. However, Emily begins imposing on Julien’s pitches, resulting in him considering a job offer. Having learnt in the Season 2 finale that Gabriel and Camille are back together and now living together, Emily commits to her relationship with Alfie, proving her dedication by publicly serenading him on Solstice Night in a truly tear-jerkingly sweet moment. Remaining friends, Emily and Gabrielle continue to hide their true feelings towards one another as the audience awaits to see what inevitably rocks this settled dynamic. Emily discovers Camille is having an affair with a Greek artist and encourages her to tell Gabriel. Where Camille appears remorseful for cheating, this can actually be seen as her realisation and acknowledgement of Emily and Gabrielle being in love and refuses to go through with their wedding for the latter reason. Alfie breaks up with Emily due to this and Emily and Gabrielle confess their feelings. As the duo appear free to pursue each other, a further spanner is thrown in the works as Gabriel announces Camille is pregnant. Mindy’s residency at the club also provides a beautiful scene when she duets with Benoir performing a bilingual version of Shallow, further highlighting Park’s incredible talent. Unfortunately they split up and Mindy begins a relationship with businessman Nicholas, whose nasty side is revealed as Grateau publicly humiliates him in a business strategy. However, there is still hope for the musical couple as Benoit announces their song Mon Soleil has been selected for Eurovision. Furthermore, the dark history between Sylvie and Nicholas’s father could be explored as he is revealed to be Laurent’s final investor. Overall, the show continues to be visually stunning, showcasing Paris’ breathtaking aesthetic, navigates the further meanders of Emily and Gabrielle’s mutual interest and provides several romantic moments in what could be one of fiction’s best universes. 10/10

Published by Mason Oldridge, 14 December 2022 CONTAINS SPOILERS! The long-awaited feature-length finale of the hit sitcom finally arrives as one of many debuts on the launch day of ITV’s supersized new streaming service ITVX. As we head back to Ancient Rome one last time, we see Marcus, Jason and Grumio sign up for the army during peacetime after they are evicted. However, their plan backfires, the hilarious centrepiece that makes every episode work, as war breaks out and they are sent to the frontline. With Aurelius in tow as well, the special starts off promising. Concern over whether the extended length will benefit or hinder the entertainment value is soon lost as the boys ditch the army following a deadly ambush and are hunted as deserters. Furthermore, as the plot develops, viewers are likely to be only more drawn into the story rather than become disconnected with it. While the comedy is there and like the show had never been away, there aren't quite as many hilarious scenarios and lines as a typical episode. Despite this, the plot is enhanced and deeper in meaning, with Marcus and Grumio’s rocky relationship mended with some honest and kind words followed by Marcus freeing Grumio from slavery. The majority of the episode was filmed in the Welsh countryside and so the Ancient Rome set in Bulgaria is missed as it only features in the opening and ending scenes. Despite this, the finale couldn’t have wrapped up the series any better, solidifying Plebs’ status as one of the best British comedies of all time. 8/10

Published by Mason Oldridge, 6 December 2022 CONTAINS SPOILERS! Dead to Me wraps up its twisting narrative in the third and final season of Netflix’s tragicomedy. Season 3 picks up where the second season ended, with Ben having crashed into Jen and Judy in a drink-driving accident. The hit-and-run brings the story full circle as each character has now hurt one another in some way. The series' trademark twists and turns are in full swing as well, as Judy is diagnosed with terminal cancer and Jen is pregnant with Ben. The season then follows the investigation into Steve’s death following the discovery of his body as the ladies deal with their new situations. While new cans of worms may have been opened, the season did a pretty good job at closing them too. However, there were a couple of controversial decisions made in bringing closure to the narrative. In the penultimate episode, Agent Moranis is found dead as the camera switches between the multiple suspects. This can be justified in that the cause of death is less important than the effect of death, as Jen and Judy can be exonerated for Steve’s murder as the Greek Mafia are blamed. Furthermore, on their holiday to Mexico, Judy tells Jen she isn’t returning home. While it was wise to take the more realistic approach of Judy dying, we see Jen and family mourn the death of Judy without confirming she has died yet, making the scenes less authentic and also suggesting Judy was left to die alone rather than with support. The finale closes with the bittersweet ending of Ben playing with the boys in the pool as Jen and baby lay poolside. Ben unknowingly playing in the pool that his brother was murdered in is a sign that this final secret can’t be left untold. Jen says “Ben, I have to tell you something” before the screen cuts to black. Although audiences are left to interpret the aftermath of this themselves, this reveal should have taken place earlier in order to conclude the series with Ben’s confirmed forgiveness, which could have been justified by Steve’s cruelty and Ben’s involvement in the hit-and-run. Nevertheless, this is a gripping series with a decent conclusion. 8/10

Published by Mason Oldridge, 5 December 2022 CONTAINS SPOILERS! Will Ferrell and Ryan Reynolds star in Apple TV’s comedy musical based upon A Christmas Carol. In the present day, Jacob Marley runs a company redeeming souls with the Ghosts of Christmas Past, Present and Yet-to-Come. Present (Ferrell) convinces Marley to choose Clint Briggs (Reynolds), a cruel and heartless businessman, as their next soul to redeem as Present believes he could make a positive change to mankind. Marley initially rejects the proposal as he is an “unredeemable” and they have only ever redeemed one of them before, though is eventually convinced. The story sets off on what appears to be a pretty predictable path, with Present guiding Briggs through the process, providing a pleasant comedy duo. However, the plot actually takes a more layered approach as it is revealed Present is Ebeneezer Scrooge, the only unredeemable to have been redeemed, and is worried he can never be fully reformed. Briggs convinces Present to relapse with his rudeness, resulting in a particularly fun musical number in Victorian England. Despite this, it is seeing Present struggle with his morality that helps Briggs reform himself, with the pair growing fond of and supporting each other rather than a one-way redemption. Furthermore, Present retires to Earth to start a family like he had been dreaming of but not daring to pursue and Briggs, rather than living a new reformed life on Earth too, dies in a sacrifice to Present, and becomes the new Ghost of Christmas Present. With the soundtrack composed by The Greatest Showman’s songwriting duo, the songs are strong and so are as enjoyable as can be to someone who doesn’t mind this form of interruption. Spirited thrives off being distinguishable enough from the Dickens story to be a different tale in its own right, with praise deserved for its diversion from predictability and the onscreen chemistry between the two leads. 7/10

Published by Mason Oldridge, 2 December 2022 Our Eurovision saviour concludes his breakout year with the release of his debut album. From the dance-orientated Put a Light on Me and the energetic Tiny Riot to the slow-tempo All the Way Over and the Michael Buble-esque This Time, Ryder showcases his impressive vocals on them all. However, the standout track is lead single Space Man. The TikTok star was chosen to represent the UK this year at the Eurovision Song Contest with the perfect pop song. In his sparkling jumpsuit, aided by epic lighting and staging, he gave the performance of a lifetime to uproarious applause. In a contest dominated by Ukraine, he broke the UK’s curse of last place and being the target of geopolitical hatred to top the jury vote and come 2nd place overall as well as bringing the world’s largest music competition to Liverpool next year. Characterised by catchy music and incredible falsetto on the chorus, Space Man is the best pop song of 2022. Ryder deserves every ounce of his newfound fame and his future is looking bright. Although the rest don’t (as they frankly can’t) compare to Space Man, there is not one bad song on a debut album that is out of this world. 8/10

Published by Mason Oldridge, 28 November 2022 CONTAINS SPOILERS! The survival reality TV series returned to the Australian jungle this November after a covid-caused 2 years in a freezing Welsh castle and the sun down under was a welcome sight. Ant & Dec were back at the helm as the new celebs arrived. There were some big names this year including pop diva Boy George, radio veteran Chris Moyles and royal-related rugby legend Mike Tindall. However, it is safe to say one name dominated the camp this year: Matt Hancock. The former Health Secretary faced a backlash for entering while being a sitting MP and was met with criticism in and out of camp for his controversial handling of the coronavirus pandemic and having defied government guidelines. In addition to public outcry, he received a grilling from several campmates, particularly George, Chris, Charlene and Sue, though bullying is a more accurate term. George’s imprisonment for assault and Moyle’s comments about taking then child star Charlotte Church’s virginity had seemed to have been forgiven though! Matt was subsequently voted to do the trials for 6 consecutive days but, despite the negative reaction, performed incredibly, earning stars for meals and appeared unfazed at the challenges. Furthermore, he threw him into many other fun activities such as dancing and karaoke, showing his humble and caring human side he’d wanted to display, as well as demonstrating remorse and admitting to seeking forgiveness. The politician subsequently outlasted his challengers, finishing in third place. England women’s footballer Jill Scott went on to be crowned Queen of the Jungle with Hollyoaks hunk Owen Warner in second. Overall, this year was a strong one. Viewers definitely got their fix of conflict, there were the usual interesting chats down by the creek and we can’t forget Dec’s hilarious reaction to Moyles losing the stars in his poor trial performance. 9/10

Published by Mason Oldridge, 25 November 2022 CONTAINS SPOILERS! Peacock’s high school murder mystery returns, this time with more drama, romance and plot twists. The new season follows the group as they attempt to uncover the identity of Simon Says, their blackmailer who has evidence they murdered Jake after discovering he was Simon’s killer. Through the use of suspense and variety of characters, the series manages to keep the investigation continuously enthralling. Furthermore, this season delves deeper into the coming-of-age element. Polar opposites Bronwyn and Nate grow closer, Cooper is still in love with Kris following their split last season, Janae battles with her gender identity and Addy struggles with her guilt and life purpose, all forming emotional scenes which will likely see viewers sympathising with the characters and rooting for the couples. The Christmas episode in which they spend a last night of freedom is particularly touching and deserves praise for its bittersweet effect. Season 2 delivers on ending as it is revealed that Nate’s tutor Fiona is Simon Says, having fallen in love with Jake in rehab over the summer, and Jake murdered Simon for exposing Fiona’s secret, nicely providing additional meaning to the first season. The gang then attempt to frame Fiona for Jake’s murder, though the twists keep coming as Maeve appears to be on Fiona’s side before it is revealed it was a trick to set her up. We then learn that Fiona knew the real reason Jake was in rehab, an event still unbeknownst to the audience, before Fiona chokes in her prison cell. The finale then closes on graduation set months later, with Bronwyn’s necklace found at a blood-covered crime scene at the school, setting up a third season perfectly. 9/10

Published by Mason Oldridge, 17 November 2022 CONTAINS SPOILERS! The Netflix-revived supernatural drama turns up the heat as NBC’s cancelled show becomes the streaming giant’s most watched. Manifest returns for its fourth and final season and increases pace as it moves towards its conclusion. The first half of Part 1 sees Ben totally absorbed in finding his daughter Eden, two years after the Season 3 finale in which Angelica murdered Grace and abducted the infant. The 828 investigation takes a backseat for the widowed father, yet it is the callings that ultimately lead him to her in Episode 5, arguably the most dramatic episode to date. After the bomb scare, the highlight of the episode is when Zeke, who had recently been struggling with his empathic powers, feels Erika’s murderous rage and maniacally shoots her, threatening the lifeboat. Meanwhile, the 828 investigation receives some developments as a presumed dead passenger delivers the black box from the plane and it is discovered that during the 5 years they were in a ‘divine consciousness’. Furthermore, it turns out omega sapphire could be the key to saving the lifeboat. However, despite the revelations, the mid-season finale ends with an atmosphere of impending doom as it is discovered the death date is not just for the passengers but for everyone, Zeke sacrifices himself for Cal and Angelina emerges from the lava with the sapphire molten in her hand, leaving a trail of apocalyptic destruction in her path. 9/10

Published by Mason Oldridge, 18 October 2022 Four years after disappointing audiences with Tranquility Base Hotel & Casino, the boys are back with a brand new sound- but how will fans feel about the change in direction once again? The album opens with lead single There’d Better Be a Mirrorball, showcasing a drastic change as the slow tempo song encompasses jazz and strings, with a Vegas lounge vibe. The single is rich in sound like their previous album and is a rather artistic piece from the band. Unfortunately, the rest of the tracks are very similar, amalgamating with each other until you can’t tell the difference between them. There are no heavier songs among the collection to differentiate the tracks from each other either, leaving them to fade into the background. The one that stands out from the crowd, however, is Sculptures Of Anything Goes. Gripping from the start as it opens to sinister bass and building at a nice pace, it offers a nice variation on a somewhat one-trick album. Overall, the music is not bad by any means, just not varied, and their fanbase won’t find anything reminiscent of the band’s early days or fan-favourite AM album. 6/10

Published by Mason Oldridge, 14 October 2022 The boys are back after cancelling their 2021 tour but is their new album, as their upcoming tour suggests, The 1975 at their very best? The band’s classic sound can be heard on an array of tracks such as Happiness and Oh Caroline. I’m in Love with You pleases in its simplicity and has become the seemingly most popular and heavily played single from the collection. It is nothing ground-breaking but it is so dreamy and catchy you can’t help but sing along. Furthermore, these highlight the slower songs on the album. All I Need to Hear is a sweet lullaby whereas Human Too showcases Healy’s beautiful vocals against a downtempo backdrop of instrumentation. Part of the Band, released as the first single, offers a departure from their traditional sound, incorporating strings and folk. While it is still enjoyable, it is a shame that the album doesn’t feature a more shocking change like the band have previously opted for, such as the screamo track People or the distortion based Give Yourself a Try. Despite this, the band still shines. Although many tracks sound similar, none are bad, and you can’t help but praise the group on their incredibly pleasing unique sound. 8/10

Published by Mason Oldridge, 7 October 2022 In the ever-competitive landscape of female pop right now, Tove Lo rises to the challenge with her latest album Dirt Femme. Dirt Femme sees Lo embrace her feminine side amid addressing her pansexuality in line with her marriage to her boyfriend. The record is a powerful piece of electropop with strong vocals and blaring synth. Pure energy is felt through the lively electronic tracks; lead single How Long is set to an incredible dance beat, Kick in the Head features some catchy humming and 2 Die 4 samples the synthpop classic Popcorn. The epic electro also provides a beautiful contrast to the slower songs on the album too. I’m to Blame is an emotional tragedy set to haunting acoustic guitar and piano whereas True Romance is set to a dark beat and highlights Lo’s sensational vocals that prove why she deserves to be the voice over such epic production. The lyrics and subject matter are impressive too. Suburbia focuses on Lo not wanting children and Pineapple Slice features sexualised lyrics to make for a very seductive song. Overall, every song on the album is fantastic which is so rare to achieve; this is truly female pop at its absolute best. 9/10

Published by Mason Oldridge, 26 September 2022 CONTAINS SPOILERS! Vinnie and the gang are back, getting up to no good once again in the fourth season of Sky’s hit comedy. The series opens with Vinnie making a cross-country journey to Wales to find Erin and Tyler after their escape in the Season 3 finale. Following the reunion, this season focuses primarily on Vinnie’s forced involvement with the criminal MacDonagh brothers after getting previous villain McCann arrested last season. While the storylines remain the same, the comedy is lacking this time and therefore highlights the unnecessarily excessive strong language, leaving Tommo’s quick wit to provide the main source of comic relief. Where the series had always demonstrated the ability to carefully blend hilarious situations with the emotional aspects of Vinnie’s bipolar, these scenes feel more forced and abruptly inserted this season, leaving viewers feeling detached from rather than sympathetic towards the protagonist. Despite these shortcomings, the season matches its predecessors in terms of drama and suspense as the final scenes are paired efficiently with a soundtrack that leaves viewers on the edge of their seats with a feeling of impending doom, as the characters each nervously return home before Dylan is kidnapped. 6/10

Published by Mason Oldridge, 28 September 2022 CONTAINS SPOILERS! Lead stars Camila Mendez and Maya Hawke both deserve praise for their roles in Netflix’s latest hit movie Do Revenge. The high-school film sees popular girl Drea team up with social outcast Eleanor to exact revenge on each other's enemy: Drea’s boyfriend for leaking an intimate video and Eleanor’s former crush Carissa for spreading a rumour. At first, the storyline appears to follow the simple yet intriguing plot with no obstacles. However, just as things are going to plan, we are soon met with the first twist that Drea spread the rumour and Eleanor is actually exacting revenge on her. It is at this point the film shows its capability of layered storytelling. Mendez’s performance as a popular girl who loses all credibility and begins to share her vulnerability is well received for highlighting a personality profile that is ever growing in a world of social pressure on teens. Hawke was already a Netflix star for her role in Stranger Things, though her performance is stellar as an outcast-turned-sociopath and is a credit for breaking the stereotype of weak and helpless introverts. Furthermore, the unforeseen development of the duo’s forgiveness towards each other proves there is no telling of how the story will end and makes the ending of exposing Max all the more sweet. Overall, the social commentary of the movie outperforms the entertainment value, though this is not a negative point. To anyone ready to give up at the midway lull: don’t. It gets a whole lot better. 7/10

Published by Mason Oldridge, 17 September 2022 Aussie pop rock band 5 Seconds of Summer are back with their fifth release, offering up easy listening but nothing ground-breaking. The album opens with strong energy in its lead single Complete Mess. This attribute can be found elsewhere throughout the tracklist as Me, Myself & I is a catchy tune and Blender is a particularly fun song set to a fast pace. There are also some more emotional and calmer tracks embedded among the collection as there is some melodic falsetto on Easy for You to Say and a slow tempo on Older, a sweet duet with Sierra Deaton on the fears of growing up. Furthermore, there’s some intriguing sounds to be heard on the likes of Haze and Caramel, the latter of which is somewhat dreamy. Despite these positives, the album feels overloaded, as if there are too many tracks that don’t all hold up on their own with enough individualism, falling fowl to a common trap in the industry. A more condensed record would work better as too many fade into the background as unmemorable. This should not take any credit away, however, from the stronger tracks, which do offer some merit. 6/10

Published by Mason Oldridge, 6 September 2022 Robbie Williams celebrates his 25th anniversary as a musical superstar with orchestral reworkings of his greatest hits, an intriguing yet somewhat unnecessary project. Ranging from his breakout single Angels to his latest phenomenon Love My Life, the wise decision was made to include a vast array of Williams’ back catalogue as opposed to solely the classics, which too are nice to hear again. However, while these orchestral mixes are well produced, they heavily resemble the original versions, with the only noticeable differences being the additional strings and vocals of an older Robbie. As this is the case, it makes more sense to listen to the originals, which have a much wider selection of instrumentation. Despite this, it is interesting to hear how they have moulded such favourites to belong in the Royal Albert Hall. While some such as Millennium and Bodies were already orchestral to a certain degree, it is fascinating to hear how the more rock-orientated singles such as Kids have been modified. In conclusion, despite the reworkings offering only minimal change, it is still refreshing to hear such a fantastic discography in a new light. Ultimately though, the originals are still majorly better. 6/10