Fontaines DC- Dopamine Chamber (review)

Published by Mason Oldridge, 16 October 2026

The Irish rockers explore escapism on their fifth album.

Fontaines DC maintain the alternative rock sound of predecessor fourth album Romance rather than returning to the Irish roots sound of third album Skinty Fia, a wise decision as they display far more talent and unleash far more potential in this genre, though still keep their trademark Irish accent in the vocals.

There is a cohesive sound across the tracklist, with commercially-friendly offerings in singles Marianne and Tongue (with the former being the highlight) and others taking more time to build up such as opening track Six Shot Morning and Happy For You, while there are also a couple of slower options like One Man and Japan. Third single Where Is Gone? marks their first collaboration as they duet with established Spanish singer-songwriter Rosalía. This track stands out from the others, adopting a classical feel with strings, and is further complemented by the female vocals.

Unfortunately, despite following in the footsteps of Romance, no tracks match the energy and chaos of its strengths Starburster and Here’s the Thing. However, one can’t grumble. They have extended this positive and almost game-changing switch in vibe, helping this band thrive in the mainstream.

Dopamine Chamber is a worthy follow-up to what rocketed them to success and a welcome departure from what came before.

7/10